The work of Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game is in British and Irish cinemas from 17 November.
